I finally finished watching this movie, I wanted to ditch it when I first saw an old and pathetic guy jerking off in the backseat of a car. That is some seriously fucked up shit. Some scenes are so depressing and disturbing. But I have to say it's a great movie. It got me thinking. Cause all those sick, twisted perverts are not so different from us, they are one of us. If they are just portrayed as "weirdos", we can just paint them with one big brush and move on with our lives; but they are not, they are normal people, just like you and me. And we have to live with the fact that deep down inside our hearts, there're something dark and twisted hiding.
个人觉得Happiness这个题目有点笼统，有点乏力，但片子实在太牛了。
以前没看过Todd Solondz的电影，看了此片后兴奋得接连几天看了另外几部他的作品。Welcome to the Dollhouse 欢迎来到玩具屋（1995），Palindromes 回文（2004），Life During Wartime 战争时期的生活（2009，算happiness的续集）。可惜喜爱的程度和年份增长成反比。
他的片子（除了最近的那部）有种很强烈的八九十年代的味道。就是记忆里那时候的人花大浓妆，顶个高高的刘海的那种俗气的感觉。有服装道具布景的关系，有选角的关系（导演真偏爱丑角啊），还有就是用平板的日光和柔光吧。画面的庸俗恰好和本片肥皂剧似的情节呼应，真是太恰当了。
两个多小时的电影一点不觉得长，一直在大笑或扑哧中度过，大概极端符合我的恶趣味吧。让我笑得如此会心的怕只有Luis Buñuel的某些电影了吧。尤其喜欢那个爱提问题的小男孩，每次都犹犹豫豫但说的话又很赤裸。娈童癖的爸爸这个演员（Dylan Baker）选的太好了，比“战争时期的生活”里那个逼真多了，那种掩饰不掉的欲望尽在眼底
《爱我就让我快乐》It not that that i can....
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