聲音是最接近靈魂的呼吸的，所以才能製造出人工智能的生命和愛的假象，而不是影像或其它可感媒介。而什麽又是真-相呢？難道不是所有的感情都有put on, act out的過程和痕跡嗎？
有趣的是主人公的愛情作為聲音的形而上“假象”是無法忍受samantha要求代入的“肉體”的真實的。用柏拉圖的説法是理念與現實的差異？
但如果只是聲音在場式的柏拉圖主義的戀愛，如何維繫和界定愛情的獨特性？聲音是沒有位置(topos）的，而愛是要指向當下的，至少有唯一性的訴求。果不其然，“她”“學”會了（性）愛后，便走出了人類自私的愛。看來抽象的在場性還是要外在的倫理和肉身的局限性來界-定的。
最後，samantha與其他operating systems要離去時，她說when words fall apart, it is then endless space. 聲音消逝了，意義空間也就變成了空無。亦或還有更玄妙更不着相的精神情感世界？

I have had a lonely life style most of the time. I've been living alone since I moved to US. I once thought about a roommate. I almost got one, Lindsey. But as we dug into the possible choices where we can stay, I found our demand so different and gave up.
And so here I am, living in my tiny little apt only a little more than a studio, and a place I try to stay away from to save money on power once in a while after I receive my power bill (gosh I don't understand why electricity is so expensive here...).
I have mostly everything I need to live.
I have pots and pans to cook, small ones, just for one.
I have bowls and plates, also small ones, just for one.
The parking lot is so crooked with restrictions that i can't invite any friends over.
Well, maybe I know I don't deal with real people well, so I don't invite one.

《她》风靡耀眼！感情真摯，對象是誰又如何
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